Born, 1950 in Brussels, Belgium
From the Documenta 11 archive website: www.documenta12.de//archiv/d11/data/english/index.html
”Chantal Akerman’s films in the 1970s and 1980s made a major contribution to the “new women’s cinema” and feminist film theory. Some of Akerman’s early films were made in New York, where she developed a minimalist aesthetic exploring architectural and urban space while amplifying the off-screen space through an evocative quasi-autobiographical voice-over. Recent installation projects have involved a reworking of elements of her feature films. These installations grapple with the need to translate and rearticulate some elements of a pre-existing cinematic work, shifting the focus of her inquiry from feminist issues to the conditions of spectatorship.”
Review relating to an exhibition, 2002
Catalogue relating to an exhibition, 2002
Catalogue relating to an exhibition, 2002
Article relating to an exhibition, 2002
Review relating to an exhibition, 2002
Group show at Documenta Halle. 2002
Kassel, Germany